Basic license for Mac/Windows systems, covering use within desktop apps (Photoshop, Word, etc.) for creating/printing documents, images, etc. Based on the number of computers the font will be installed on. Amounts can be adjusted in the cart.
Allows you to self-host the webfonts on a single website, for display in a web browser. Pay once, use forever. No subscription required and no tracking. Licenses are based on average monthly pageviews, and amounts can be adjusted in the shopping cart.
Allows you to embed the fonts into one (1) specific Electronic Publication title (like an eBook, eMagazine, eNewspaper, or PDF). This is an extension of the Desktop License, not an additional file. During checkout you must define the Title of the ePub.
Allows you to embed the fonts into one (1) specific Mobile Application title (such as an iOS or Android Mobile App). This is an extension of the Desktop License, not an additional file. During checkout you must define the Title of the Mobile Application.
This font family is a revival of Centaur by Bruce Rogers(1870-1957) and Arrighi by Frederic Warde (1894-1939). A previous digital version was released by Giampa Textware/Lanston Type Co. in 1987.
Originally designed by Bruce Rogers in 1914, Centaur was cut by Robert Wiebking (who also cut many of Goudy's type designs) as a private typeface for the Metropolitan Museum of Art. Many years later, the idea came up to have Centaur released commercially. It was originally to have been cut for monotype by Lanston Monotype (Philadelphia), but was "for various reasons" made by Monotype Company of London. It was commercially released by English Monotype in 1929.
The roman font was marketed with the companion italic; Arrighi. Frederic Warde originally designed Arrighi in 1925 for the book "The Tapestry". Warde used the italic types of Ludovico degli Arrighi circa 1524 as the model for his design. Rogers similarly used Jenson's roman font circa 1470 as the model for his face. Both are highly regarded as exemplary revivals of these early classics.
Metropolitan Italic Pro (Opentype) combines two of Frederic Wardes versions of Arrighi. Accessible in the contextual alternates feature, the alternate ascenders, g, y, and ampersand were found in the original version of Arrighi from 1925. The only difference is that the upright caps that were originally paired with the type have not been included. There is also a swash 'e' added in the swash feature, as well as all standard ligatures.
The Metropolitan Italic font is based on the third and final (Monotype) version of Arrighi with sharp ascender serifs that extend to the left.
Metropolitan Italic Alt is based on the original Arrighi of 1925 and features pear shaped ascenders that extend to the right. The original Upright Capitals have been omitted in favor of the sloping capitals found in the Monotype release. A second version of Arrighi containing elements of the first and third and has not been digitized.
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The Fonts provided on YouWorkForThem are designed to work on Macintosh and Windows systems. We also provide additional formats for website design (WebFonts), along with eBook and Mobile App licensing options. All of the available formats for this font are listed in the Buying Options tab above.
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