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Human silhouettes Search Results
Human silhouettes Search Results
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Currently I am serving as the Creative Director for SeaWorthy Supply Company and Founder of BandWagon Poster Fest. In my past life I was Art Director for Burton Snowboards in Burlington, Vermont, Bell Helmets in Santa Cruz and Neilpryde Wetsuits in Hong Kong. I also ran my own indie mag back in the 90s, created more than my share of apparel lines and even helped others start their own lines. Somehow I also managed to find the time to get a degree in design from the University of Florida.
My fr
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We believe good ideas can be applied to anything. Even if it’s a slice of bacon, a piece of bread, a handful of seeds or a dozen of eggs it has all chances to become a fabulous typeface.
That’s why in 2008 we founded an Estonian-based company called Handmadefont. Back then neither the font industry was that well developed, nor the term ‘handmadefont’ itself was known. People used to consider fonts as keyable raster images. We suggested a new angle: fonts can be made of what-so-ever. Need a titl
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Hello! I'm Anastasiia. A graphic designer with six years of expertise in the design marketplace and stock imagery, I have successfully established a presence on various platforms. My products are featured and sold on renowned sites such as Creative Market, Motion Array, Etsy, Canva, Adobe Stock, Shutterstock, Design Bundles, Design Cuts and Envato Elements.
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Samolevsky specializes in cutting-edge stock graphics, delivering bold, futuristic designs that elevate digital projects. With a portfolio brimming with geometric shapes, textured patterns, and dynamic 3D elements, their work is a playground for creative exploration. Notable collections like Acid Chrome and Abstract Shapes Mega Pack reflect an avant-garde approach, making them a favorite for designers seeking innovation. Samolevsky’s designs are versatile and meticulously crafted, perfect for ev
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WeWorkForThem began as a pioneering design studio at the turn of the millennium, developing digital artwork that helped define the early web's visual language. Between 2001 and 2009, the studio produced a prolific body of stock vector and illustration work—ranging from experimental iconography and bold typographic sets to intricate brush packs and design-ready graphics. This extensive archive still resonates with designers who value a blend of nostalgia and digital grit.
Today, the WeWorkForThe
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