Go All the Way with Adam Ladd’s LufgaYOUWORKFORTHEM BLOG
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Go All the Way with Adam Ladd’s Lufga

September 27, 2021

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Adam Ladd has got it. “It” is the ultimate artistic intangible. You know it when you see it, hear it, feel it. It’s the mysterious creative singularity that gives an artist a “voice.” And although it’s not guaranteed, having it often begets results. Ladd is an example, as this Cincinnati, Ohio based designer boasts clients like Harley Davidson, Food Network, Disney, Trader Joe’s, Starbucks, iD Mobile, Costco, Hobby Lobby, L.L. Bean, Whole Foods, Minted, the Calgary Flames, Raising Cane’s, Blizzard Entertainment, Penguin Random House, Canva, and EatingWell…to name a few. Check out his website to learn more about him, or at the very least, have a look at this fabulous video where his 5-year old daughter shares her first impressions of logos.

We are proud to host Ladd’s work here at YouWorkForThem. Dive into his powerhouse of a collection and take your creative arsenal to new heights.

 

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Today we are featuring Ladd Design’s Lufga. Lufga is a geometric sans serif font family with a touch of distinction. Simple yet sophisticated, this typeface design presents a clean and modern appearance while carrying subtle retro tones. Most notably, the lowercase g and u make it recognizable for your branding applications, and there are also stylistic alternates when needed. The unique lowercase g is especially impressive. It almost magically conveys deferred gratification, a sense of wanting more, a curious need to seek out what’s on offer. It sticks in the brain, and that’s no accident.

With a minimal design, low contrast, large x-height, and thin through black weights (with italics), Lufga is well suited as both a workhorse text and display font for branding, advertising, packaging, headlines, magazines, websites, logo designs, and more.

 

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Lufga’s features include:

• Stylistic alternates (G, a, g, u, w)

• Case-sensitive punctuation for All Caps

• Arrow icons

• Fractions, numerators, denominators

• Superscript, subscript

With over 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

Fonts
Serca: Geometric Sans Serif from Adam Ladd
February 16, 2022

Serca: Geometric Sans Serif from Adam Ladd

Adam Ladd is a type designer based in Cincinnati, Ohio. He creates fonts that are professional, versatile, and perfectly rendered. His work is in demand: his fonts have been licensed by Harley Davidson, Food Network, Disney, Trader Joe's, Starbucks, Whole Foods, Costco, Penguin Random House, L.L...
Read More
An Angular, Avant-Garde Sans Serif From Adam Ladd: Fractul
June 28, 2019

An Angular, Avant-Garde Sans Serif From Adam Ladd: Fractul

Based in Cincinnati, Ohio, Adam Ladd is graphic designer and typographer with a preference for retro design aesthetics. Active in the field for more than 15 years, he’s worked as an art director for several magazines and has worked in print design, logos, branding, identity, and lettering.  It w...
Read More
A Sans Serif Superfamily From Adam Ladd: Skie
January 6, 2020

A Sans Serif Superfamily From Adam Ladd: Skie

Adam Ladd is a graphic designer and typographer based in Cincinnati, Ohio. With well over a decade and a half of experience in the industry, he has established a prolific career for himself in type design. Adam broke into the design field professionally around 2003, working in a mix of contractu...
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Magdelin: A Warm Gothic Sans Serif From Adam Ladd
November 9, 2019

Magdelin: A Warm Gothic Sans Serif From Adam Ladd

Adam Ladd is a graphic designer and typographer with a wealth of experience in art direction, logo design, print and magazine design, lettering, and branding. Based in Cincinnati, Adam has been incredibly active in the design scene, taking on a number of in-house positions and freelance projects...
Read More
A New Condensed Geometric Sans Serif From Adam Ladd: Config
November 6, 2018

A New Condensed Geometric Sans Serif From Adam Ladd: Config

Based in Cincinnati, Adam Ladd has considerable experience in type design, graphic design, art direction, print design, logo design, and branding. He spent about four years as an art director and designer for HOW magazine, Print magazine, and Horticulture magazine before striking out on his own....
Read More
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