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52,826 Products
fStop is a Berlin-based photo agency that launched in 2002 with the goal of providing the design community with an alternative to the cliché-ridden world of stock photography. Up until late 2014 fStop was part of Fontshop International, a company which was founded by designers Erik Spiekermann and Neville Brody in the late 80s, and is best known for the success of its typefaces. With its origins deeply rooted in the graphic design community surrounding FontShop, fStop has always had strong ties
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Hanoded is run by Dutchman David Kerkhoff. His fonts are a mishmash of styles, as he just creates whatever pops into his head. You will find a lot of brush fonts in his collection, as his favourite tools are brushes and Chinese ink, with cartoon style fonts and script fonts complementing his repertoire. Aside from making fonts, David occasionally guides tours in far-flung places, renovates his '30's house and tries reasoning with his wife and (teenage) kids. Not an easy task!
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Kitchen Table Type Foundry is run by me, David Kerkhoff. I also run Hanoded Fonts, which some of you may actually have heard of! :-0 KTTF was created as an inspirational boost; a playground for new ideas and possibly font designs that may not fit the Hanoded Fonts brand - but I am not too strict about this rule. Since I design all the fonts, you may come across similarities - but that, unfortunately, is not something I can avoid. After all, it is just me, my laptop computer and the kitchen table
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Hi, my name is Alexander, I am designer and photographer and I love it. If you have any questions or would like to have something custom made up for you, be sure to message me.
Welcome to our shop and thank you for stopping. ❀
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141 Products
WeWorkForThem began as a pioneering design studio at the turn of the millennium, developing digital artwork that helped define the early web's visual language. Between 2001 and 2009, the studio produced a prolific body of stock vector and illustration work—ranging from experimental iconography and bold typographic sets to intricate brush packs and design-ready graphics. This extensive archive still resonates with designers who value a blend of nostalgia and digital grit.
Today, the WeWorkForThe
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