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WeWorkForThem
194 Products
Stock illustrations created by design studio of WeWorkForThem (2001-2009). Included in this collection are additional designs added after 2009, created by designers at Nanamee studio in Bangkok.
Dombroski Design, Inc
141 Products
Ray's extensive background in the surf apparel industry started in 2002. Since then he has designed for many of the top surf apparel brands in California and Hawaii, such as O'Neill, Billabong, Ocean Pacific, BodyGlove, and Local Motion. He is the founder of TheVectorLab, a website that offers graphic design resources, tools, and tutorials. As a graduate of the Art Center College of Design in Pasadena and Florida State University his experience is backed by a mix of business and design knowledge
2D Typo
29 Products
2D Typo foundry is at Lviv (Ukraine). Studio unites designers from different generations with different aesthetic preferences, but a common feature for us is the love of typography and principles of design quality. We pay special attention to developing ornamental and icons fonts.
Ben Balvanz / Fontalicious
85 Products
Aside from creating original typography for Fontalicious, Ben spends his days designing t-shirts, painting clothes on Playboy centerfolds, and taking glamour shots in the Westlake District of Los Angeles.
Laura Worthington
80 Products
An accomplished and award-winning typeface and lettering designer, my passion for the craft, devotion to precision as I refine my creations along with my desire to provide designers with type that's rich with personality and versatility combine to form a body of work that offers practicality and aesthetic appeal. Each project is a journey that I undertake with enthusiasm and joyful discovery and gratitude that my background in graphic design, calligraphy and typography have given me the opportun
The Ampersand Forest
24 Products
I design type from a bread-and-butter Graphic Designer’s perspective: What type do I need that I can’t find? What type do I want to use that’s way too expensive? What type do I want to see in the world but don’t? And how can I make it delicious? For me, deliciousness — flavor — is key. Not all type has to be “good type,” whatever that means. It should be designed with thought and care and craft. It should be supremely usable. But it should aim beyond usability toward (trust me: this is the righ
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