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328 Products
Hi, my name is Alexander, I am designer and photographer and I love it. If you have any questions or would like to have something custom made up for you, be sure to message me. Welcome to our shop and thank you for stopping. ❀
69 Products
International House of Fonts (IHOF), a division of P22, is a type boutique that showcases distinctive type designs and designers from around the world. The IHOF collection embodies a sensitivity towards historical lettering, while introducing unique and contemporary typefaces. IHOF was established in 2001 and presently includes designs from Japan, Germany, Hungary, Canada and the US. The selection is rich in calligraphic scripts by lettering artists such as Michael Clark, Arthur Baker, Ray Cruz,
51,456 Products
fStop is a Berlin-based photo agency that launched in 2002 with the goal of providing the design community with an alternative to the cliché-ridden world of stock photography. Up until late 2014 fStop was part of Fontshop International, a company which was founded by designers Erik Spiekermann and Neville Brody in the late 80s, and is best known for the success of its typefaces. With its origins deeply rooted in the graphic design community surrounding FontShop, fStop has always had strong tie
6 Products
Tipos Pereira is a foundry based in São Paulo runned by Marcelo Magalhães Pereira. Popular fonts such as those seen in the streets out there, vernacular-inspired and full of history, whether they be Display or Text. I'm Brazilian born in Rio de Janeiro and raised in São Paulo, Graphic Designer graduated by Senac College of Communication and Arts in 2004. In 2012 I had a great time studying at the Cooper Union-NYC in the Condensed Typeface Design program. As an educator I've been teaching type
15 Products
Durotype is an innovative font foundry based in Best, The Netherlands. It has been founded by Ben Blom in 2010. ••• All Durotype fonts are created out of passion for the design involved. They are crafted in a long process of creation and improvement, until the right fusion of the functional and esthetical has been achieved. With whatever passion they are created—Durotype fonts are, in the end, just high-quality tools with a bit of pizzazz. Most of them are rather universal tools: their desig
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